Protest City: Portland's Summer of Rage

 

Now available for order, Protest City: Portland’s Summer of Rage brings together Rian Dundon’s 2020 documentation of racial justice uprisings and violent police backlash on Portland’s streets, interrogating Oregon’s history white supremacy and the role of whiteness in racial justice movements.

In the months leading up to the 2020 presidential election, Portland made national news with nightly social justice protests, often met with violent response by counter protestors and law enforcement. Though frequently regarded as a progressive hub, Portland has a long history of racial inequality and oppression, and the city’s entrenched divisions gained new attention during the Trump years. The photos in Protest City present a visceral visual record of this significant moment in Portland’s history.

Rian Dundon, who has been photographing the rise of extreme politics on the West Coast since 2016, lived only a short walk from the protests that erupted after the murder of George Floyd. For one hundred days, Dundon enmeshed himself in the demonstrations with an unobtrusive point-and-shoot camera. The result is a graphic portrayal of how social movements become politicized, how spectacle serves as a subtext to change in the digital age, and how modern protests blur distinctions among performance, ritual, and surveillance. As he follows the progress of Portland’s conflicts, Dundon draws connections to Oregon’s legacy as a stronghold of white supremacist extremism and interrogates the role of whiteness in racial justice movements.

Most of the photographs in the book were taken between May and October 2020, but the collection also includes photos from protests in late 2020 and 2021 around various related issues, including the Red House eviction blockade, rightwing demonstrations on January 6 and 17, and the one-year anniversary of George Floyd’s murder. Dundon’s striking photos recreate the immediacy and impact of the protests, while essays by historian Carmen P. Thompson and journalist Donnell Alexander contextualize the uprising’s sociopolitical background. A chronology and author’s note are also featured.

Protest City is published by Oregon State University Press and is produced with the support of Magnum Foundation, Documentary Arts, and the Economic Hardship Reporting Project. Additional funding has been provided by Furthermore: a program of the J. M. Kaplan Fund.

 
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