Magnum Foundation hits Photoville

Magnum Foundation participated in Photoville, a seven-day photography festival on the Brooklyn Waterfront. MF transformed two shipping containers into unique home-like galleries to enforce the project themes featured in Bruce Gilden’s No Place Like Home and Sim Chi Yin’s Rat Tribe. 

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Magnum Foundation to present conversation about migrant human rights crisis

Greece is the primary gateway to migrants from Asia, Africa, and the Middle East seeking residence in Europe. Athens is home to approximately 1 million illegal immigrants, and over 130,000 people entered the country illegally in 2011.

Magnum Foundation will present a series of events in NYC this weekend, encouraging a larger conversation about this under reported human rights crisis.

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MagnumTime Interview with Bruce Gilden

At the end of the day, I really have confidence in myself because I think that I can actually be proud of what I have done, considering from where I started. And it is not being arrogant.

MagnumTime interview in New York, NY 2011

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Pete Pin featured on the Asia Society blog for his project, The Cambodian Diaspora

I am amazed at how much people genuinely want to talk about this history. Many times it’s the first thing they tell me when I enter a home. I have realized that, for some people, it’s not that this history has been suppressed, but rather — for a multitude of reasons — there lacks a catalyst for this dialogue.

-On September 14, 2012, Pete Pin was featured on the Asia Society blog for his project The Cambodian Diaspora.

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Visit Pete Pin's Project: The Cambodian Diaspora

In the fall of 2010, photographer Pete Pin devised a makeshift portrait studio in his grandmother’s garage in Stockton, California. As he photographed her, she recounted the details of her family’s experience in Cambodia during the regime of the Khmer Rouge. 

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MagnumTime Interview with Martin Parr

I mean we will be restructured but I don’t know whether the restructure is radical enough. I think we need to have less people, we need to be more independent, I think the days where photographers say ‘this is what I want to do, I come to the Magnum office and I try and get people to help me’ are gone.

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