#PhotoEx blog by Miki Johnson

Whereas traditional social documentary photography imagines the photographer’s role as bringing images from remote areas to a wider audience, many #PhotoEx projects begin and end with a small community, often documenting itself.

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Immigration debate: the 2006 US-Mexican border wall

For the month of May, Magnum Foundation will be showcasing work from the Magnum Photos archive to highlight issues in the immigration debate as part of our La Ruta project. When Larry Towell was in Tijuana in 2006, he was documenting construction of the new U.S. border wall designed to keep out migrants. Today, the ACLU estimates that over 5,000 migrants have perished.

To get involved, sign up for updates from the Border Network for Human Rights or the ACLU!

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Center for American Progress finds granting citizenship to undocumented workers would stimulate the economy

According to the Center for American Progress, if undocumented workers were granted citizenship in 2013: The U.S. GDP would grow by $1.4 trillion and the economy would create an estimated 203,000 additional jobs per year over the next 10 years.

To call for a quick and direct path to citizenship for millions of undocumented workers in the U.S. this May Day go to:
http://reformimmigrationforamerica.org/#content-campaigns

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#PhotoEx-join the conversation

“In a world of billions of cameras, I’m not sure what ‘documentary photographer’ really means,” says Teru Kuwayama, who is well known for creating online community platforms including Lightstalkers and Basetrack. “We live in the most recorded era of human history, so photographers should ask themselves what value they add to a very densely populated ecosystem.”

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